Search Results for 'artistic director'

The Royal Theatre Castlebar has new owners after hotel management and property companies, Islandeady Properties and Lansdowne Frances, agreed to purchase the properties. The acquisition includes The Royal Theatre, The Ruby Room, Mayo Conference Centre, TF Hotel, Harlequin Hotel (4 star), multi storey car park, and The Royal Quarter Retail Area incorporating Boots Chemists and other various retail stores, The Mosaic and other car parks.

Islandeady Properties and Lansdowne Francs are to acquire The Royal Theatre, hotels, and The Royal Quarter retail area from Andrew O’Leary and Kieran Wallace, KPMG in a move announced today.

The Cloak, a newly commissioned stage show written and directed by Irish artistic director Pádraig J Dunne is an explosion of Celtic song and dance showcasing the remarkable life of St Brigid of Kildare, which can only be described as spellbinding. Mr Dunne, who is known for his unique visionary techniques, will include a stunning audio visual presentation as part of the production shot in beautiful locations around Ireland including Glendalough, The Curragh, and Brittas Bay.

THE RTÉ National Symphony Orchestra comes to Galway in October, to perform music by Brahms and Richard Strauss, in Leisureland, Salthill.

The Cloak - a newly commissioned stage-show written and directed by Irish artistic director Pádraig J Dunne showcases the remarkable life of St Brigid of Kildare, which can only be described as spell binding.

The Atrium in the County Buildings on Mount Street in Mullingar is the place to catch an exhibition of paintings by Patsy Preston, artistic director of the iconic Festival of the Fires.

AFTER A hugely successful run at last autumn’s Galway Theatre Festival, Anam Theatre Company’s production of Low Level Panic makes a welcome return to Nuns Island Theatre next week prior to a national tour.

Almost five years following a disastrous fire, Ireland’s unique Irish theatre An Taibhdhearc, situated in the very heart of the city, has opened its doors again. Perhaps the fire may have been a blessing in disguise. The theatre has reopened in a confident mood. Its distinctive new signage makes its mark, especially on dark winter evenings; and its facilities have been up-dated both for the audience and actors. Yet it has retained its remembered intimacy, and sense of Irishness. Micheál MacLiammóir’s golden Celtic peacocks, on the black fire-curtain, proudly remain as rampant as ever!

Easter party for aware